Advent Musings--Week Two, Hope

This is an Advent essay I wrote. Week 2 of Advent focuses on hope and here are my thoughts on that. 

He slams into his second grade classroom, like a Lord of Flatbush, late as usual, angry as always. He must have read Hitler's Mein Kompf, about the way to make a grand entrance. Arrive late; leave early. He does. He hides, sneaks off and causes adults to hunt for him whenever possible. Despite weighing at sub-pee-wee weight, about 50# and reaching only to my belly button, he packs a lot of p*ss and vinegar.

Flaxen blond hair in a military cut, darting cornflower blue eyes always watching to see if teacher is noticing his antics (I am, but avoiding the reinforcement of negative attention). Pale, unhealthy skin, translucent to show dark shadows under the eyes (allergies, lack of sleep, poor nutrition, too much TV or a combination). Thin wrists and fingers, he always looks tired, cold and lonely, despite his belligerence. As though being mean is the only thing that keeps him going. 


 He does everything he can think of to get into trouble. He goes to the office and causes more trouble. Nobody is really sure just what to do with him or for him. Calling home is no solution. Parents can't (won't?) make him behave. No judgement. Mom and dad are both working hard to provide. There are four children in the family. In Michigan we've got the distinction having the highest unemployment rate. Jobs are scarce, especially is you didn't or couldn't get a good education. Even if you did, we have teachers selling shoes to make ends meet.

Recess time: Michigan windchill in the single digits and snow blowing sideways. I help 48 feet get into 48 boots. I check 24 warm coats and snow pants to make sure that they are are zipped up snugly. There are no snow-pants or boots for one student. You can guess who. Oh there's a coat but it's a man's large with a broken zipper. I've got playground duty. Even dressed in my warm clothes, I can feel the annual winter laryngitis setting in. He stays in the alcoves of the school to stay warm. Standing by an unused door, he shouts and hollers to drum up a crowd. I know that he's hiding out to stay warm; showing off to cover up that fact. He's not hurting anything. Just making a lot of noise.

Another sub is in the room next door. She's insecure and wants to prove herself. It's funny how you just know this about people. No judgement. Well maybe just a bit. Leave the attitude at the office if you're going to do our job. She marches to the unused door and pulls the loud one in. Startled, (the students never use this door) he shifts nervously from one foot to the other. 

He's been having a great day so far and I'm tickled (so are the other kids). Are we making a nanometer of progress? Under her withering criticism and menacingly soft-shaming voice, I can see his tiny, poorly clad back go up (apparently she doesn't notice that this kid hasn't even got proper clothes?) I guess yelling on the playground is forbidden in her book. She has obviously "been trained" to "deal" with this-sort-of-child". And she does. Coldly. Ruthlessly. Stupidly.

Fools rush in where angels fear to tread. I'm no angel, but I have common sense and I choose my battles. I don't step in, I never question an adult in front of a child. But I almost did. She had marched him to his classroom and the facetiousness in her voice made me sick. She had her gotcha moment, done and dusted. Would a little kindness have cost her so much? We were both going to gone the next day to other jobs? Why was it so damned important to win against this child who obviously had a lot stacked against him? 


As I walked him down the hall, he muttered to me "I didn't know she could hear me." I was on a thin line here. I didn't want to confuse him by criticizing her. I didn't want to undermine her. I said, "well, each teacher has her own style. It's not mine. And now you know that people can hear you."  I can't even say, "go back outside and enjoy your recess, because clearly, he can't, it being too cold." Predictably, his behavior spiraled downward after that. 

So what do we do with a kid like that? Spare the rod and spoil the child? I can't see that he's been spoiled much. I'm only a sub, but I talked with his teacher about what to do. I said I'd like to donate a whole brand-new winter outfit: snow pants, coat, gloves, hat, boots. Leave them in the office with a note: With Love to D-- . But what about the other 3 kids in his family ? I can't really afford the first set of clothes, let alone four complete sets. He's not the only kid in the school who could use an upgrade in winter clothing, either. And what about the family? Will they be embarrassed? Will I be 'enabling' them? I don't even care. I just can't stand to see a cold kid.

My Advent hope is in the coming of Our Lord. It's also that there is some way that I can help these kids.


How to Write Japanese Haiku Poems

Haiku poems are more than just 17 syllables in three lines of 5-7-5 syllabication. Many styles of Japanese poetry rely on syllable count to establish poem structure, similar to the Greek iambic or "feet" (or meter) poems. Notable are the iambic pentameter poems, composed of five lines with ten syllables each. Haiku and senryu are structured on "mora" or "on" which are similar to syllables, but not an exact correlation. "On" in Haiku and Senryu is similar to iambic feet, which are patterns of stressed and unstressed syllables. Thus haiku are cadence (rhythm) poems vs. rhyme poems, but the similarity of western poetry ends there. Use this guide to teach haiku writing or to write your own. 


Haiku are essentially nature poems and rather aesthetic. Haiku contain kireji (cutting word) and kigo (seasonal word). A true haiku contains a mood or tone shift and the kireji is the cut-off between moods. Kireji words shift the tone. As haiku is a Japanese form of poetry, the words don't translate absolutely, nor even sometimes partially to other languages. In haiku written in English for example to cutting word will depend upon the original thought expressed in the poem. Kigo would be any word referring to season or nature, often a specific plant or animal.

In Miyoshi's haiku

In storm-tossed grassland,
one leaf, one praying mantis,
tremble together.'

we see and feel the shift. Normally leaf is eaten by praying mantis. In a storm they are united against the wind, one clinging to the other for support, no longer predator and prey. Without a knowledge of Japanese, I can only guess at the kireji, but I'm thinking that it would be 'together'. The kigo are the leaf, mantis and possibly even storm. The tone doesn't come full circle and it may not be a diametric opposite, as with the praying mantis and leaf, but there is a shift in focus. Here's another well-known Haiku

Red dragonfly on
my shoulder calls me his friend.
 Autumn has arrived'

The shift here is from summer to fall. And haiku like so many aspects of Japanese life, focuses on the simple contemplation of one idea. Japanese art, floral arrangement, gardens, architecture and food reflect simplicity and purity. Haiku distill a multitude of words and thoughts into one essential verse.

When writing haiku, focus on nature and especially seasonal topics. Work that shift into the poem. To explore senryu, please see my article, Haiku vs. Senryu: Nature vs. Nurture

Sister Michael and the Prayer of the Damned

Another vignette of paranormal prose, the tingle you to your toes. "Remind me why I wanted to go to SMGC?"' Monika wondered aloud as she lugged six industrial strength textbooks and her laptop out of the BKT (Bl. Kateri Tekakwitha) Library on All Hallow's Eve. The university was lovely, old and very secluded. Way off the beaten track in the middle of Michigan's Upper Peninsula, which was all off the beaten track to start with.

''Remind me why I wanted to go to SMGC again?', Monika wondered aloud as she lugged six industrial size textbooks, assorted notes and files and her laptop out of the BKTL (Bl. Kateri Tekakwitha Library) on All Hallows Eve. The university was lovely, old and very secluded. Way off the beaten track in the middle of Michigan's Upper Peninsula, which was all off the beaten track already, halfway between Forgotten Town and Middle of Nowhereville. 

The BKTL smelled of wood, lemon Pledge and generations of academia. The early Victorian buildings with their lower level of beautiful windows and glass-work, so reflective on the nearby lake, were built shortly after the Civil War, by the Sisters of Mercy, some of whom, it was rumored, still haunted the place. In a kindly, nun-ish way. Well, if you were stuck out in those deep back dune woods, you would have nothing better to do either. 

St. Maria Goretti College was a private, all girls school renown for its highly accredited courses in the  Turkic, Slavic, Cyrillic and (believe it or not) Hindi languages. Which Monika would need for her calling to work in missions schools in India. An Irish American teaching Indian languages to Indians, whatever will they think of next, she laughed to herself. Well, teaching children in their native tongue, that is. She was sure she'd be learning a lot more than she would be teaching.  

Monika Mary Dalaigh was every bit as Scots-Irish as her name. What a combination! Oh did people make with the hot-head-redhead Gaelic temper jokes. Oldest girl of a Catholic family of nine, Monika had known at three that she was going to become a nun and go to Calcutta to help the Untouchables like Blessed Mother Theresa. Four years at SMGC was the first step on that road.

When it came to looks, Monika's sisters Faustina Rose of Lima (yes they named her the full thing, poor kid. Like Rose 'a Sharn in Grapes of Wrath, but anyway) and Philomena Bernadette (try putting that on a driver's license) got most of what was dished out. Their dark auburn curls fell in the Byronic soft tendrils. Unlike Monika's tresses which tended toward Titian, frizzy and Pre-Raphaelite dead girl in a boat. But no matter once she took  the veil. 

And looks aside, in the corpus mensa and common sense department, Monika Mary was fully stocked. Six older brothers had removed any shyness, squeamishness or girliness. Two pretty, petted younger sisters had removed any illusions of being the baby. And who'd want it anyway when there was so much world to conquer? 

As was her wont, Monika Mary in her third year at St. Maria Goretti, was still closing down the library at night, even on a holy day. Mass had been said by Father Marc at 6pm. After dinner and compline, most of the girls, even the younger ones who should be studying, were curled up in bed or watching TV in the common room which had the only television on campus. 

Times had changed around the world, but not much had changed at SMGC. Monika was surprised that elderly librarian, Sr. Michael had agreed to keep the BKT open until 10pm. Apparently she understood about time waiting for no one, not even on All Saints. Sister was locking offices, gathering her belongings and Monika was leaving.

"Goodnight, dear. Why don't you wait and I'll walk you back to your dormitory?' the fully habited nun asked.

"I'll be fine, Sister. Really, though I appreciate the offer." Monika smiled and patted Sr. Michael's fragile, ancient, liver spotted hand.

The air was biting cold and smelt of the eastern hemlock so prevalent in old growth Michigan forests. Monika thought she just might be able to smell Lake Superior to the north. The tree frogs and crickets were giving a concert on the still autumn evening. The mist was just beginning to form off the little lake, and as the moon rose, the mirrored windows of the BKT Library came into view. It made everything look carved in bas relief, like Keats' "Grecian Urn." Monika was just mentally composing a poem about the view when suddenly...

"Don't scream!' a voice growled in her ear. Monika almost choked, more at being startled than in fear as the clammy hand clamped over her mouth. The smell of cheap liquor and sweat and the intense pressure of a body pressed very close shocked Monika out of Bodleian musings. She bridled at the hand irritably but had the presence of mind not to struggle too much. 

She could hear cursing and scuffling and got a glimpse of several NU sweatshirts, students from the nearby university, she assessed, out drunk on Halloween and looking for whatever passed for fun in that state of mind. The hand came away and the other arm and body did not. Oh, we're in for a long night, Monika thought. 

Sweaty Palms said "We came here to see the ghost nuns, but this is even better! You're not bad, for a neo-nun! I'll show you what's under my robe if you show me what's under yours!" Monika could feel her arm bending painfully far back. And a very nasty sensation of hands groping around her jacket. The group began to laugh and make noises doing God only knows what, Monika thought. 

And tailgating that thought came the sickening realization that one very senior nun was coming down the path after her and five or so young girls and another equally old nun were snuggled on couches in the common room watching an old movie, totally unprotected. It wasn't anger or fear she felt, just a very clear quiet settling of the mind down to basics of survival. 

Prayer was something Monika was finding increasingly less time for. SMGC had a policy that each student must spend an hour each day in adoration in front of the Blessed Sacrament. Truth be told, Monika often spent her hour studying or in slumber. But like atheists in foxholes, Monika found herself praying and praying hard. "'St Michael the Archangel, defend us in battle. Be our protection against the wickedness and snares of the devil...'

"Yeah, baby, you pray, cause I'm the devil and I've got a pitchfork for you!" Too intent on concentrating her energy on vigilance, Monika bit down the angry comments she was thinking. Which was probably for the best. Keeping quiet and biddable were not her strong suits. More groping ensued and what sounded like a belt unbuckling and zipping pants. Oh, God, please, not this not now. But if it keeps their minds off the others, well, help me just get through it. 

Suddenly, an eerie yellow-green glow appeared wobbly against the sky but growing larger. The sounds of drunken laughter zipped to a silence like a record player needle dragged across a record. In fact everything was weirdly silent, except for thin strange almost demonic sounds of incantation.  It was absolutely terrifying. 

Walking in front of the glow was what appeared to be an army of grim reapers, all about fifteen feet tall, holding scythes. Small points of brightly colored lights darted around like tiny flames which seemed to crackle and sizzle. It was as if the demons were shooting at them with the fires of hell. Joining the incantation were mutated grunts and unintelligible moans issuing from the group of specters. Everyone, including Monika stood paralyzed. Nearer, louder and brighter came the phantom brigade. If this is what hell is like, the movies don't do it justice, Monika thought. 

In less time than it takes to zip up a zipper, Monika's captors had hightailed into the night. Their shrieks of terror lingering on the mist. It would have been funny if it wasn't so frightening. And Monika was left to face the demon horde alone. Now was when Monika was most glad she'd inherited the Irish practicality instead of the auburn locks. Because as bizarre as this whole scene appeared, she knew without a doubt that it had a rational, non-spook movie explanation. And it did. 

From amid the shadows, a loud but very human voice boomed out "Oh, Hello Monika, dear, are you still out?" And a very corporeal elderly nun approached Monika. Sister Michael closed her Latin prayer breviary and placed her jeweled rosary which she had been praying, inside her scrip. She snapped off the old Sony Walkman with which she'd been praying along with the recorded Latin prayers. 

"Oh dear, I'm still wearing this silly cordless microphone from lecture today. I must bumped it and turned it on. I'll never figure out how to use it properly. No wonder there was such a racket as I was praying. I thought it was racoons!  Would you mind holding this while I turn it off? Sister Benedict needs a sickle for play rehearsal, but this staff from the St. Patrick's procession is the best I could find. I hope it looks close enough to the real thing. By the way, what do you think of the new outdoor burglar lights for the library. I really don't think they are quite bright enough, do you? Though I don't suppose we'll ever need them. This is such a peaceful little wood." 

After what seemed like about three hours, Monika breathed and on the great exhale, laughed aloud. "Believe me Sister, the staff makes a very convincing sickle. And I think the lights are just right. I think they'll scare off any burglars that might be around!" 

*Monika never told anyone about that night. However a closeted meeting with the NU dean, yielded a most interesting story. Evidentially he was concerned for the SMGU staff and students about reports of ghostly goings-on at All Saints. And Monika felt obliged to allay his fears with an account of what happened. The howls of laughter from the Dean could be heard across campus. He was still laughing as he drove away. After extracting a promise from the sisters that they all would attend complimentary Jujitsu classes at NU, just to be safe. 

Ice Cream Dreams and Michigan Memories

Here's an example of personal memoirs writing. Use this for an example of nostalgia or local history writing.

Ice cream has spelled summer since the Chinese invented it 3,000 years ago. It was primarily for nobility and the upper class until 1776, when the first public ice cream parlor opened in New York City. Ice cream went portable when edible coronets, or cones, made from waffles were introduced at the St. Louis World's Fair. My grandmother remembered buying ice cream squares wrapped in paper, from street vendors in Grand Rapids, Mich. When I was a kid, the Good Humor man still sold frozen novelties, accompanied by a cheerful tune. 

I grew up in Grand Rapids and Muskegon, Mich., in 1960s and 1970s. Dairy Queen, Tastee-Freez and other seasonal, walk-up ice cream stands ruled the street. My dad was the Rootbeer Float King; few summer evenings went by without a trip to the ice cream stand for this seasonal favorite.

Back in the day, ice cream was a quarter a scoop. Miss Lisa's near the U.S.31 on-ramp in Ferrysburg, Mich., has new ownership. Gone are the days of that $.25 ice cream cone of Hudsonville Ice Cream, the best in the world. Hudsonville invented Mackinaw Island Fudge and Moose Tracks flavors. I miss sitting on the swing sharing an ice cream and watching the children play on the climber. This was Tao of summer 

 
Two chain ice cream establishments, were Michigan favorites. House of Flavors featured the Pig's Dinner (five kinds of ice cream) and gave out yellow and blue "I Made a Pig of Myself at House of Flavors" buttons if you ate it all. Baskin-Robbins featured the famous 31 Flavors. Of the many House of Flavors locations, only two still exist in Ludington and Manistee, Mich. I just found out last summer that the Manistee location was torn down. 

In the early-1970s Michigan tried recreating the Gay Nineties ice-cream parlors. In Muskegon, there was the High Wheeler. In Grand Rapids, folks loved Farrell's Ice Cream, with its Dixieland feel. The Farrell's brass band, with bass drum and Barbershop Quartet, would play and sing "Happy Birthday" to guests.

Soda fountains were also popular. The soda fountain was a counter, set up in drug stores. If I was good while shopping Grandma got me an ice cream from Dean's (later Strayer's) Pharmacy on Broadway in Muskegon. A block away from my house in Grand Haven, was Pfaff's Pharmacy. Their 1950s style fountain still had spinning red-topped stools and uses the old stainless steel ice cream mixers, freezers and utensils. These were made a few blocks away at the long-defunct Bastian-Blessing.

For the longest time,  Pfaff still served phosphates, sundaes, triple-scoop cones, floats, malteds, sodas and Lime and Cherry Cokes (not the canned kind, these are made from fruit syrup). A chocolate malt from Pfaff's was ambrosia of the gods. My kids would blow their paper route money on penny candy from the Pfaff's candy counter. Then it closed and now it's something else. 

You can't get ice cream cone for under $4 anymore. But times change and prices with it. The newspaper the kids carried is pretty much done. The kids moved on and have families of their own. But we all still enjoy a walk on the boardwalk and an ice cream of a summer evening. I hope that never goes away. 

Sample Commentary for Current Events Essay Writing


Looking for guidance on essay writing? In an essay, the writer takes a stand on an issue and backs it up with fact. The essay should employ literary devices and some elements of creativity--it shouldn't just be dry fact. It's similar to creative non-fiction in that fact is written about creatively.

Essays are similar to commentaries (also called editorial or op-ed), in which the writer comments, from his own opinion and experience, on trending news stories. Typically, other stories or facts are employed to back up the author's contention. Writers need to be careful not to write too much fact with essays/commentaries. The piece is then an analysis. Essays should clearly reflect the writer's opinion. Here's an example from a piece I wrote for Yahoo!

--Oh, what a tangled web we weave when first we practice to censor. Take the matter of online photo sharing--there's sometimes a fine line between offensive content and freedom of speech (or share). Who's to say what constitutes offensive material. There's no one-size-fits-all model  that works for every situation.

Like a fly, Facebook keeps getting tangled in the censorship web. Time and again, photos are banned that shouldn't be. Case in point are the images from a breast cancer survivor which Facebook deemed obscene. Read more at...Facebook's Odd Photo Bans Highlight Censorship Dilemmas 

How to Write a Nostalgic Tribute, Experience Memoir

Nostalgic tributes or memorials are my terms for writings that describe feelings in retrospect. Nostalgic tributes are similar to memoirs except that they focus on how the individual was impacted by a larger experience in history. Here's an example I wrote from a the Vietnam War as it impacted me as a child.

On June 8, 1972, I was your average 7-year-old, happy to be out of school and looking forward to summer vacation. Soldiers were fighting in a place called "Vietnam" but that was far away and didn't really affect me in my happy little beach town of Muskegon, Mich.
Over meatloaf and mashed potatoes, we watched news reels on television. As callous as only a child can be, I got used to seeing the graphic images. In fact, it used to annoy me when war updates interrupted "Tom and Jerry."  Read more at Photo of Girl in Vietnam Napalm Bombing Brings Back Memories

Free Poetry Writing Guide: How to Write Free Verse Poetry

 Poetry gives voice to the soul. Writing poetry is like singing;it should flow from the spirit, as a lament, a rhapsody or an aria. Unlike tangible things poetry is not so easy to dissect, critique or explain. There are some devices that poets employ to create poems. Having created some poetry myself and taught courses in poetry in creative writing, I'll try to distill the essence of poetry in this guideline. Poetry Writing Guide: How to Write Free Verse Poetry 

Writer Vulnerability

I feel very vulnerable posting my poems online. I'm like an actor feeling stage fright. What if my little verse does a belly flop? What if it's not enjoyed? What if it's not even read? So it was with great joy (and humbled appreciation) that I noted that two of my most recent pieces have been viewed 50 times...each! Thank you, readers, whoever you are. I know that if I'm going to survive this world of publishing, particularly in the tenuous area of poetry, I'm going to have to grow some thicker skin. But until then, (if I ever even do) the knowledge that people are reading was a real pick-me-up for this thin-skinned gal. Be well. Do good work. Love, mar

Proverbs in Anima Humanis or Vice, in Verse

I thought I'd try my hand at writing proverbs...those pithy aphorisms King Solomon and Ben Franklin were given to penning. These are liberally seasoned with simile and metaphor baked in savory verse.

Care fetters the mind
as shackles, the imprisoned bind
but expression frees the heart
as manacles, a goaler's key

Doubt sows tares in good intentions
and beats plowshares into swords
whilst faith tends the Gardener-given patch
gladly, gently, peaceably, and with love


Deception perverts truth
as a wasting sickness cripples and deforms
yet honesty gives wings to the earthbound
to take itself heavenward


Gloom wrenches the mind
like stones, causing the foot to stumble
but a smile clears the path
and helps the sojourner on her way

Loneliness corrodes the heart
like acid on a blooming jonquil
but friendship is heart's-ease and balm
soothing the sadness and meeting the need

Fear corrupts the soul
like mildew in rising damp
while trust dries up encroaching mold
blowing it nowhere to harm no one

Strife ignites the stomach and
heats the blood, like flame to tinder
laughter, also like conflagration,
spreads and warms without burning.

Anger charges the choleric to
take up arms and duel to death
but tolerance inspires the sanguine
to put passion to healing

Hatred impales, decapitates, silences
like a guillotine or pikestaff
while Love embraces, enfolds, protects
repairs, rebuilds, resurrects and renews






as Man, once dead, lives again

Taskmaster

Taskmaster


the muse will not be
mitigated, satiated, filled
restlessly, he bids me always
to pen when i would sleep

i call him "he" tho'
in fact, "she" he may be
or even "it"-- as bestial
he often devours me whole

Phantasm? Demon? Harpy?
Fury? Friend? Foe?
Muse at my shoulder
monkey on my back

all senses or affect
any tranquility I may possess
or long for, any serenity I demand
is always answered "nay"

"Legion" he very likely is
for he or they never sleep
or take ease or allow it
driver driving the driven on

he takes my spirit to task anon
Quixote, questing, dreaming impossibly
haunts my wakings, troubles my night
tilting at windmills and at nothing

like Poe's eternal Raven
not imprecating "Nevermore"
but exhorting me "onward"
"Excelsoir" and "evermore!"

Not bird, nay, but yet hawk, even vulture-like
in wary watchfulness
knelling, compelling, opining
of what? je ne sais quoi

would that he were,
my night companion,
as Poe's winged fiend
made of flesh and feathers

Like Dickinson's thing with wings
for then I could perchance parley some
converse, rail, inquire, implore
enigmatic possibly, but living

Or, in greatest travail
cease his eternal bullying
silence his endless harangue
plunging my quill in his breast

but ever, mine is Petra-still
implacable, immovable
a fixture, with only orbs
and zeal alive and probing

all-seeing, omnipotent, still
pity-less, remorseless, relentless
like water on a stone
encroaching, eroding, erasing

further still, a millstone
of justice and retribution
a nemesis, revolving slowly
grinding steadily finer

wearing me down to
thought, emotion, specter, bone
taxing, teasing, telescoping resources
to unreachable reaches

would that my demigod ever
commended or even acknowledged
my passion-drained self
my craft-weary, word-heavy soul

Under his ceaseless, scalding stare
I will 'ere be apprentice
journeyman perhaps, but never
master, magistra, beladonna

In ages past and times to come
I will tarry not in slumber
while decomposing, I compose
in composition, no repose


~marilisa, 2/22/12 Ash Wednesday


Dreamings

Dreamings

She dreamt in octuplet
in verse, footed and free
she wept in rhyme
amber-soft, flinty and chill

words, parsed en multi lingua
ad hoc, ad limina
without boundary or shore
sea-deeps to grave-silent outer tomb

Aligheri descended to hinterland
and beyond, Milton ascended,
nirvana found, in mesosphere
between dwelt Aristophanes

what is man's soul that any art mindful?
Goethe's devouring Mephistopheles
trades Faust for Little Nell.
Valjean, redemption, for bread.

Verbum is soul liturgy
Alexandria, Bodleian, subway wall
truth? Triumph of man
against society? Nay self.

And what of paradise?
Peace, Patience, incants the Prophet
magi, shaman, fakir agree
even Immortal Qasim, Jesu
and Gautama neath his bodhi tree

ergo, in quasi pace, she waits
with holy men, demons, mortui
for portent of signum crucis
(or otherwise) let it be

morn to twilight to blue-black nacht
she travels twixt infinitum and natal sound
in the moments among
sclafen, dream and waking

desiderata, mantra
much to think, to feel, to need, to taste
mammon long passed
and sapiens still to meet

in vacuum-time, we attende
speaking nothing, everything
from world's first gasp
to final death rattle

O, to repose neath Pleiades’s
on porcelain sand-lipped sea
in grove of Venus
or temple of Astarte

to drink of vineyard fruit
vino, vita, veritas
dulce et jubilato
ascend star-pocked stair

In caelo, ora et labora
unt labora es ora
minor travesti with
much amor et caritas

Meanwhile back en terra
The erstwhile poet poseur
Tiredly slogs on
Scribbling her doggerel 

But even in humility
worth is to be found
In stable was king born
The saviour in straw

clay slap-pulled is Grecian vase
marble bent asunder, woman
ochre, azure, vermillion
Titian henna-tress vixen
y Raphael's fresco sublime

rude word becomes
lyric, gossamer imitates gown
rosewood, mellifluous lute
gold becomes reliquary sanctus
and alabaster a funeral jar

From peasant-hewn grain
to celestial body
from philistine-trod grape
corpus, sangua, soul and divinity



O to repose...

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