Waterlily Rose Maiden

Waterlily Rose Maiden
Verse one from my sonnet to our infant daughter, Mary Therese Sachteleben who passed into the arms of Jesus on Jan. 5, 2001.

her eyes, green-gray still waters, do not cry
not mirror nor window of soul-dark spaces,
guardians hold prisoner, secrets shy
in soft tranquil deep and twilight traces

  her skin, like dogwood blossoms translucent
  rose petal fair and water-lily pale
  heaven-bound as nimbus, storm-cloud spent

  fresh as a lamb, nested quiet in vale
  no tears descend this tender, pallid cheek
  no sorrow escapes this unworldly maid

  no companion shares nor solace does seek
  perfect in slumber, unmoving and staid
  Silent in her grave, somber and death-cold
  Never feels pain, nor mother-arms enfold.


How to Write a Persuasive Speech

 "Stylus Fortio Gladio" or in English, "the pen is mightier than the sword". When I read that Westboro Baptist Church was planning to picket the funerals of the Arizona shooting victims and that a phalanx of angels was gathering to protect the privacy of the mourners, I decided to write an article for Yahoo! about it. I offer it as a model for a persuasive speech. Here is a snippet, followed by a link you can click to read the entire speech.

"Westboro Baptist Church routinely protests funerals and targets homosexuals for hate rants and verbal abuse. WBC is so busy seeking out people and places to harass that it has a picket schedule on its website.  Click to read complete story.

Editorial, Commentary, Persuasive Speech Writing Sample

This begins an article I wrote for Yahoo! News. I have written in in the form of an editorial, commentary or persuasive speech. It might also be used as an essay example. It begins: "Ask anyone age 40 if they remember seeing so many obese children and overweight teenagers. The answer will be a resounding no. Juvenile obesity is the fastest growing health issue in America, as well it should be. America is killing children, one mouthful at a time. In the U.S., we are literally poisoning children, with every bite we feed them." To read more, click here...

Greenwich Village Smoking vs. Low-Brow, Low-Life Smoking; Ah, the Ideals of Youth

I began (and ended) smoking in college, in 1982. Because I thought intellectuals smoked. Look at Jackson Pollock, his ubiquitous fag dangling from his bottom lip. His painting "No. 5, 1948" sold for $151 million and it was just a bunch of paint dribbles. If smoking was stupid, I wanted to be stupid like Jackson Pollock. Stupid like Georgia O'Keefe, Eugene O'Neill, Edith Warton... the Greenwich Village crowd. The reds, the anarchists, the social reformers. The left bankers. I wanted to identify with them.

I graduated from a class D school in a rural community. I say "rural," but that's out of politeness. The pastoral farming life died off with Michigan's auto industry, leaving in its wake drug use, apathy, an arrogant-ignorant mentality that the less nice people called "white-trash", the fallout of economic and social depression.

Nearly every kid in my class of 52 smoked. The drop-out rate was higher than the rate of non-smokers. I didn't smoke until college. Somehow I made a mental distinction: Smoking in high school was for go-nowhere losers, not me. Smoking in college was for intellectuals, like me. High-brow smoke couldn't kill you; or if it did, somehow it meant something: Poor, but by choice. Smoking the burnt-out ends of someone else's cigarettes and living on ideals.


 But conformity is, by nature, hard to shake, especially in the early 1980s. In my non-conformity, I found myself conforming in practice to a lot of what I was rebelling against in theory. The fear of disease, especially HIV-AIDS, prevented me from smoking OP (Other Peoples) cigarettes. Yes, I know, HIV is not transmitted orally, but AIDS was new then and we didn't know and took no chances. The agony to my lungs prevented me from smoking unfiltered Camels (filtered cigarettes were for weak-minded fools).

The fear of looking like a booze hag prevented me from smoking pretty cigarettes like Virginia Slims or Eve. The irony that I always smoked at (or brought cigarettes to) the nightclubs we frequented did not occur to me. So I smoked "sensible" Merit and later Marlboro Light. On our occasional trips to Windsor, Ontario, I'd pick up several packs of Canadian Players cigarettes. American Players, in their elegant black box were acceptable, but Canadian was classier. I had very fuzzy but dogmatic bougie ideas about things like brand identity, color of cigarette box and  how it said things about who I was and wasn't. 


I clearly remember The Great American Smokeout, that first year of college. I was not about to participate, especially because I was finally able to master inhaling without collapsing in spasms of coughing. As time passed, however, and I grew wiser (and cigarettes got more expensive) I finally saw the error of my ways. I realized, alas, smoking didn't prove anything about me. That a halo of smoke around my head did nothing except make my hair, clothes and breath stink. So I quit smoking. This is really a much fancier term than it deserves -- because I had never really seriously started smoking.

(at the time of this writing) Thursday marks the 35th anniversary of the Great American Smokeout, brainchild of the American Cancer Society. My husband still smokes and has since our college days. Initially he participated in the Great American Smokeout; now, 28 years later, he no longer does. In theory, a no-smoking day is great; in practice, less so, because it must combat the instinct built up from years of daily and hourly cigarette smoking. 

Now in edit, I'll add that my husband has quit smoking cigarettes and now vapes. I don't know if the Great American Smokeout still exists. I don't see the glamour of College People cigarettes that I once did. I am still a bit of an idealist though. 

How to Write Truly Frightening Horror Fiction

Anatomy and Psychology of a Horror Movie
Halloween is the ripe for horror movies, but what exactly constitutes a horror movie? Does it need a plot twist? Suspense? Mystery? Zombies? Blood and gore? Satanic influence? A presence of evil? Here is a psychological analysis of horror movies that can be used to write horror fiction as well.

Horror movies and literature must scare viewers and readers: That's a pretty basic requirement of the horror genre.  But what does it take to scare people? Sensations of fear differ from person to person. Phobias (irrational fear) differ from realistic fear. Each person has a different level of credibility also; in other words different people are willing to believe as possible different things. Supernatural, aliens, monsters, zombies, vampires, demon possession, even evil and hell are concepts open to interpretation. And in order for someone to be genuinely frightened, he must believe that something is possible or exists. The viewer must also feel a sense of impending danger or personal threat.

Sensations of fear vs. sensations of being startled: Some movies rely on the element of suspense and surprise rather than attempting to produce sensations of fear. Loud noises, startling or graphic images, even blood and gore often produce a sense of being shocked or startled in viewers, rather than fear. Try watching a horror movie. If you find yourself jumping and your heart pounding, but feel no sensation of threat or danger, you are probably feeling startled, not frightened.

Sensations of disgust vs. sensations of fear: Gruesome movies are extremely bloody and graphic, but not necessarily frightening. There is nothing inherently fearful about seeing a human skeleton, flesh, blood, muscles or organs. Doctors see these things every day. Seeing a zombie dining on human flesh and feeling revulsion or disgust is not the same thing as fear. Again, a sense of threat must be present.

In summary, in order for a movie or book to produce sensations of genuine fear, it must communicate to the viewer a sense of personal danger or threat of danger. A real 'scary' movie must in fact scare the viewer, cause him discomfort, dread or a sense of impending doom. In order to produce that feeling, he must accept that the images shown in the movie are possible and believable.

Using these definitions, the most truly frightening movies are those which show the level of inhumanity and degradation that mankind is capable of wreaking on his fellow man. These horrors are the only the only kind that we can actually prove exist. Personally, I think some of the most frightening movies and books are the true stories of actual events. Helter Skelter, for example, scared me witless reading it at age 12. Because I remember hearing of Charles Manson and the very real atrocities he committed. 





How to Write Mystery and Detective Fiction

How to Write Crime Stories and Detective Fiction that Mystery Readers Will Love
Tired of cracker-bland stories that readers only nibble?  What defines a story that readers gulp down whole, beg for more before the first even digests?  Characters, plot, climax and something else. Learn to write the gulp down whole stories!
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An All Souls Day Essay on Honesty



All Souls Day Stories: An Honest Little Boy
It's All Souls Day, and I'm feeling reminiscent. After homeschooling for years, it seems a little odd not to be wrapped up in holy day and holiday preparations. Here's a little story to warm you for the holy day. It's true.
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