The Writer's Garden
On stopping by a diner with kids (unfiltered)
Poetry metacognition
To rhyme is sublime and to not is fine
gonna try to break the rhyming
and the syllable counting habit
Steaming down from Birmingham one cold December day
in the shrine of the pine
in murky backdune gloam
last call for this train
as it steams us home
we're going deep tonight
on lonesome railroad ride
find your seat, ticket please
let's don't miss the other side
listen to her rumble as
she croons to hobo's squall
earth mother locomotive
sharing herself with us all
Serdeczna Matko dear
so beloved it hurts to sing
I don't know much about you
perhaps we've met in passing?
load-bearing ferry-woman
carries her children safely home
Gaia, our goddess mama
will never leave us alone
many images of mother
mashed like praties for me
I'll have to go rogue
to get me any clarity
choo-choo train and deity
my Immaculata lady
can anyone find my mama
or a mama to love me?
I saw three ships come sailing
Father, son and Mother Mary
steaming down from Birmingham
with shoulder rides for little me
Mixing references like drinks
upon this night-night train
is the only way to make sense
of my mashed potato brain
too cold to take off my coat
clacking away at my rhyme
cold that gets in your soul
and doesn't warm with wine
feet like ice blocks carved
from lake Michigan whole
when they used ice tongs
which grampa found and stole
(from the abandoned Swett place in the dunes
long-forgotten. If they wanted 'em they should have taken them and they didn't so no harm done)
on highway made of steel
endless faceless porter men
no points, none keeping score
Will we ever see their kind again?
the railway's done and gone
but a few ghosts I sill see
of old men and their daughters
rolling out of Kankakee.
I'm the dad and daughter
my old man and the sea
Granddad and the porters on
the train they call Memory
For my da and granda and my husband and his da and his granda and my boys and girls. And me.
A silly little rondo of song
trinkle tinkle ring says
the wind in the chime
singing through the trees
in the chapel of the pine
to the belfry tower
hear bells grumble rumble
chanting out their prayers
in baritone choir mumble
to the white steeple tall
one ringer all alone
on church in the vale
pulls his funeral tone
to glockenspiel in park
mazurka herky jerk
xylophone frilly trill
for dancers of clockwork
to the lady with harp
on a promenade pier
gently caressing strings
for little kids to hear
to children's kitchen band
on kazoo and oatmeal drum
and kleenex box fiddles
do loudly pluck and strum
to the bird in the tree
in our yard in her nest
tweets last post and chorus
as we all head in to rest
back round the music plays
full circle to the chime
it all begins and ends again
in our chapel of the pine
(picture is a gate-crasher at our nightly orchestral hijinks. But welcome none-the-less).
Thank you for reading
Thank you to all who read
my funny blog of rhyme
I don't know who you are
nor if with them you chime
perhaps you stumbled here
by inadvertent mistake
then found you some comfort
and thought a rest to take
the reason for the reading
is not for me to tell
just know you're most welcome
to stop and bide a spell
Pardon our dust, scattered
ideas like crumbs everywhere
Fragments of markings strewn
hang on, I'll clear a chair
so what shall we talk about
tho if you've questions, I fear
I'm better clacking keyboard
then verbalizing thoughts clear
I don't explain my poems
and I will never defend
read or leave as written
on that I will not bend
They are surely imperfect
I do not disagree
but I stand by them because
they've always stood by me
So if you're here to browse
if you seek no fault to find
then sit down and grab a pen
and jot down what's on your mind.
The printing press in the workshop in the basement
certain phrases have their say
in my poems frequently
more than mere lexicon
they're my spirit vocabulary
black as printer's ink
a simile I often use
meaning more than it says
exposing more than I'd choose
ink's only black in print and
black ink isn't black you see
it's a rainbow-hued spectrum
revealed by chromatography
I only discuss the science
to distract from the memory
of basement press and printer
making little name cards for me
letterpress cabinet drawer
with names like copperplate bold
tiny metal characters neatly stored
such wondrous order to behold.
Upon the composing stick
he'd arrange moveable type
tempting trays forbidden me
about that I did often gripe
typesetting print to read
was technology back then
the typewriter's clacking keys
replacing human hand and pen
now we push buttonless buttons
a mystery I can't comprehend
touch screens are now touchless
instead of mailing we say "send."
now we don't write we "text"
instead of talking we "interface"
we talk to boxes not friends
connected in cyberspace
computers are nice compared
to messy loud printing press
or typewriter's many headaches
digit-less digital is less stress
we've got to look forward and
Grampa would be first to agree
looking only backward you miss
all the cool new things to see
But (there's always one) we still
found something gestalt in the press
though always covered in ink
it' was a "type" of mood therapy I guess
I often mind walk in the workshop
down in Crestwood Memory Lane
to sort, if allowed, his letterbox
I will never see the like again
Pictures from Wikipedia user https://commons.wikimedia.org/wiki/User:Trimalchio and Willi Heidelbach.
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2026
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February
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- On stopping by a diner with kids (unfiltered)
- Poetry metacognition
- To rhyme is sublime and to not is fine
- Steaming down from Birmingham one cold December day
- A silly little rondo of song
- Thank you for reading
- The printing press in the workshop in the basement
- Sitting shiva by our lake
- No second line on this funeral train
- The girl with the sandburr in her side
- This ain't over, Jack (or) we've only just begun t...
- Black Rhyme Time
- I found the moon for us
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February
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